翻訳と辞書
Words near each other
・ The Stone Raft
・ The Stone Rider
・ The Stone Rose
・ The Stone Roses
・ The Stone Roses (album)
・ The Stone Roses (disambiguation)
・ The Stone Roses discography
・ The Stone Roses live performances
・ The Stone Tape
・ The Stone Twins
・ The Stone Zoo
・ The Stone's Lament
・ The Stonebreaker
・ The Stonecutter
・ The Stoned Age
The Stoned Guest
・ The Stoned Guest (album)
・ The Stoned Immaculate
・ The Stonehenge School
・ The Stonekeeper's Curse
・ The Stoneman Murders
・ The Stonemason
・ The Stonemason Ostracon
・ The Stonemason's Yard
・ The Stoner
・ The Stoneridge Group
・ The Stones
・ The Stones (band)
・ The Stones (TV series)
・ The Stones Are Hatching


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

The Stoned Guest : ウィキペディア英語版
The Stoned Guest

This musical work, while touted as "P. D. Q. Bach's Half-Act Opera: ''The Stoned Guest''," is actually the work of Peter Schickele.〔Schickele, Peter. (''The Stoned Guest'' ) at the PDQ Bach website, accessed August 25, 2020〕 The title is a play on the "stone guest" character in ''Don Giovanni'' by Mozart, as well as the opera ''The Stone Guest'' by Alexander Sergeyevich Dargomïzhsky. The work is a parody of classical opera, although some critics consider it to be the equal of many classical works in technical ability. The opera appears on the 1970 album of the same name.
The loose story combines elements of ''Don Giovanni'' with elements of ''Carmen'' by Georges Bizet. Some character names, such as "Don Octave" and "Donna Ribalda" play on the Mozart opera, referring to Don Ottavio and Donna Elvira respectively, while the castanet-clicking "Carmen Ghia" plays on the title character of Bizet's opera (and puns on the Volkswagen Karmann Ghia). The "Commendatoreador" plays on both operas at once, being a combination of "Il Commendatore" and the toreador Escamillo. The orchestral accompaniment for Donna Ribalda's opening aria, "Let's face it—I'm lost", bears more than a passing resemblance to the "Rex tremendae majestatis" from Mozart's ''Requiem''.
At one point in the opera, the rival divas Carmen Ghia and Donna Ribalda break character in the middle of a ''recitative'', so the singers can hold a conversation (still in recitative) about their singing careers. At a subsequent point, they have a contest to see who can hold a note the longest. The final scenes of the opera parody first the stereotype (exemplified by ''Don Giovanni'' itself) of classical opera as having a tragic ending and then the stereotype of the Romantic narrative (as reflected in, ''e.g.'', Goethe's revision of the Faust legend) by revealing the tragic ending to have been a false ending and introducing ''deus ex machina'' to generate a happy conclusion not warranted by the earlier plot.
==References==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「The Stoned Guest」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.